FULL OF HELL
TRUMPETING ECSTASY
Grindcore/Deathgrind.
Profound Lore Records.
Listening Format: Digital.
Full of Hell are an American Grindcore band still in their early twenties.
It's very hard for a Grindcore band to do something fresh this far down the line, but this band manages to combine the fastest and slowest of extreme music genres. I first heard them live opening for The Body and they blew my mind. They would transition from tight and intense Grindcore and out of nowhere cut into piercing, agonisingly slow electronic drones, and then out of nowhere they'd kick back into furious grind again. Their live performance was not only insanely tight and full of chemistry, but they really left the audience on edge with this disturbing and overwhelming air of tension. I'd never really seen or heard anything like it, except possibly for Powerviolence band Man Is the Bastard.
Full of Hell proved with their debut album 'Roots of Earth Are Consuming My Home' that they could transfer that live intensity onto the records and since then they've pushed further into experimenting with noise and drone music, with a slew of full on Noise EPs and collaborations with Merzbow and The Body that often left the Grindcore realm completely. It's safe to say that there was a lot of hype for their next full length 'Trumpeting Ecstasy', and perhaps an expectation that they could push those experimental boundaries even more.
What we have here though, feels very much like a step backwards into what is mostly a pure Grindcore assault. The record is 23 minutes long and ten of those minutes are taken up by the last two of the eleven tracks. The first nine tracks are pretty much just a relentless barrage of lightning fast grind action, but if I am honest the intensity is rather lacking throughout, and there is very little to make them stand out amongst other run of the mill Grindcore releases.
The album has been recorded at GOD City and produced by Kurt Ballou of Converge. If you listened to the rather good Code Orange album 'Forever' released earlier this year, you'll recognise quite a few similarities in the production. The sound Full of Hell are going for here is much more guttural and full of low end. Most of the tracks also include low gargling vocals, very much borrowed from the Death Metal or Deathgrind playbook. Whilst this bowel crushing low end sound worked really well on the Code Orange album, for me it is actually detracting from Full of Hell's performance here. I think their previous offerings sounded much more vital and urgent. This could be a personal preference of mine, as I tend to prefer Grindcore to have a lot of high end. In particular some of my favourite Grind acts Discordance Axis, Gridlink, Wormrot, Pig Destroyer and Evisorax don't use a bassist and tend to go for a noisy, fast, discordant blur of sound. But even compared to previous Full of Hell records, this record does not make me wanna go apeshit, smash up my room and punch an old lady in the face...!!!
For me the best part of the record is those last two tracks. The title track has these eerie, clean female vocals and a slow, churning industrial beat, with layers of electronics and droning noise and it is wonderful, by far standing out from everything that came before it. Also when those crushing and raw as fuck vocals kick into full force, I start to feel that intensity that was sorely lacking on beforehand! The way the vocals switch between clean, dreamy female vocals into Godflesh style aggression is a touch of magic. Yet despite it being my favourite track, it sounds exactly like something that could have easily been on The Body's latest album 'No One Deserves Happiness', and that can't be a coincidence since the two bands released a collaborative album last year.
The album ends with another droning and noisy track that switches between furious Grindcore blasts and slow pounding Industrial, with even a few spots of eerie Dark Ambient over a six and a half minute run time. and it kind of makes me feel like finally! Why did they wait 'til right at the end of the record to give me that hit?
Full of Hell are a very exciting band to watch, but I'm honestly feeling a disconnect with this record. A real shame as I was pretty hyped for this one. I just can't dodge the feeling that the nine Grindcore or Deathgrind tracks that open this album just feel really phoned in. Even a guest vocal from Aaron Turner of Isis and Sumac fame on 'Crawling Back to God' doesn't really add much to the break the monotony.
Full of Hell's move to a more Deathgrind oriented sound on this album actually feels like their Achilles heel. I feel like the band have lost their identity and their uniqueness a little bit and although I am usually a big fan of Kurt Ballou's production work, this affair sounds strangely OVERproduced to the point where all the urgency and fire that this band are capable of gets sucked out the window. But it isn't just the production that lets this album down, but just a sheer lack of experimentation. I feel like Full of Hell have played things a little safe, especially when they've proven that they can go the extra mile and create some really out of the box sounds that their peers in the genre just aren't doing. 'Trumpeting Ecstasy' not only feels like a slog to listen to, but a missed opportunity also. 5/10.
Let me know whether you agree or disagree, whether you enjoyed this album more than I did. And if you want to hear some of similar sounds done better, check out the latest Code Orange album 'Forever' released earlier this year.
Showing posts with label grindcore. Show all posts
Showing posts with label grindcore. Show all posts
Friday, 19 May 2017
Sunday, 11 September 2016
#353: RIFF FEST 2016 - LIVE IN BOLTON
Riff Fest is a FREE Metal festival taking place all day and night at The Alma Inn, Bolton. Every year the DIY festival organised by Adam Swarbrick and Jim MacGranthin gets bigger, better and more ambitious. This year saw even more Metalheads and music fans attend, with an even more impressive line-up, featuring the almighty Liverpool Doom Metal titans CONAN as headliners!
Photo Credit: Bruce Cowie
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OUTDOOR STAGE
The weather was beautiful and the turnout to the tiny Alma Inn was great from the start as the first band of the day Trollkraftt took the outdoor stage. This quartet play swampy Sludge Metal with a bit of a twist. Their vocalist exhibited a primal display of throat singing, turning non syllabic vocals into an extra instrument on stage. Trollkraft set the tone of the day with an incredibly loud and bass heavy sound, engineered by the talented Marios Sozos behind the mixing desk. Most of their songs were built on one of two slow pounding and churning riffs, although their second song had a faster, Punkier sound with a lead riff reminiscent of "Pretty Vacant" by the Sex Pistols. Undoubtedly the highlight of their set was an amusing stop/start song in which the band started a game of pass the parcel with the Riff Fest crowd. In a stroke of hilarity, the band had the whole crowd passing around the wrapped up mystery gift and when the riff came to a stop, some lucky Metalheads were treated to fantastic prizes such as a colouring book and a book about how to improve your golf swing! Festival curator Adam Swarbrick says that he thinks of Riff Fest as more of a giant party than a music festival, and Trollkraftt perfectly captured that tone, bringing strangers in the crowd together to share a good laugh, and some crushing Crowbar-esque riffs to boot! 8/10.
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I'm going to go right out and say it... I'm not the biggest fan of the Deathcore sound. However a lot of people are, especially some of the younger Metalheads in the crowd today. After the Abduction are doing a fantastic job representing Deathcore in Manchester and are genuinely one of the most brutal bands in the local scene. The quintet have a love for massively downtuned guitars and fast riffs that often spasm out into crushing discordant breakdowns. The band were performing on a massive high after playing Bloodstock Festival and brought that fantastic momentum to Bolton today. I saw a lot of fans wearing After the Abduction shirts in the pit and the band really got the crowd sweating and moving about. After the Abduction have refined their sound to be as evil and brutal as possible, like they are trying to conjure up demons from hell below us! 8/10.
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Hogslayer were a ripping highlight at the very first Riff Fest two years ago and have come back with a vengeance, being the last band to be added to the lineup. The quartet have been a little quiet lately and have had to deal with a bit of a lineup change, but they returned to stage in style today. Hogslayer used to dress up in monstrous black facepaint, which they have now traded for black hoodies. The band have a tough, rugged sound that plays with mid tempo sludge riffs that explore odd groovy time signatures. There is certainly a small pinch of Meshuggah to their sound, with chuggy riffs and tribal influenced drums. The band are propelled by their energetic lead vocalist who moved all about the stage and even carried on screaming whilst crowdsurfing. Hogslayer are a band that put on a fun live show, but also deliver a dark and terrifying sound. 8/10.
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Carrying on the party atmosphere was Nottingham based quartet Widows (headliners of the very first Riff Fest) who are gearing up to release their brand new album, "Oh Dear God". The band feel like they are happy with their latest line-up and new bassist and it's obvious that they are beaming with confidence. Widows perform like they have just drank ALL THE CAFFEINE, with so much energy pouring from the stage effortlessly. Musically they have that Thrashy Stoner sound nailed with plenty of groovy riffs, reminiscent of Clutch with a pinch of Motorhead too. Their new songs in particular are sounding excellent. One of my favourite things about Widows is the way they play around with the tempo of their riffs, speeding up and slowing down in a playful manner, almost like switching a vinyl between 33 and 45rpm. The icing on the cake is vocalist Adam Jolliffe who has an exquisite gravelly tone, and even whipped out a strange skull vocoder device to alter the pitch of his voice! Widows strong energy and pummeling riffs were perfectly made for the outdoor stage in the sunny weather. 9/10.
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Bury's craziest Grindcore maniacs are always a treat to see live and they tear up the stage. The band were preparing to play at a wedding, wearing smart suits, trousers and ties, and it didn't take long for vocalist Sam to split his trousers with his high energy on stage antics! Foetal Juice are gearing up for the release of their new album "Masters of Absurdity" and treated the Riff Fest crowd to some new songs that are sounding brutal as fuck. One of the best of these was "Noneckahedron", dedicated to Cannibal Corpse vocalist Corpsegrinder and his erm... Lack of a neck! Foetal Juice hit you with a relentless barrage of blastbeats, lightning fast riffs, as well as moments of discordance and vile shrieking vocals. Also considering there was a lot of Doom and Sludge on show today, they broke up the pacing of the day rather well. 8/10.
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Travelling from London was this bizarre Stoner/Doom trio dressed in tie dye shirts and corpse paint! Chubby Thunderous Bad Kush Masters (no I'm not making this up...) are too hippy for the Black Metal crowd, and too extreme for the hippy crowd! So thank the lord of Rifftopia that they found pilgrimage in Bolton today! Chubby have a nostalgic sound that isn't easy to place. I could hear the uber heavy stoner riffs from the likes of Sleep, as well as some Grungey tones in the guitar and vocals. But there was also some classic rock vibes, I could hear Alice Cooper in the snarling vocals and even a bit of Deep Purple in the psychedelic tinged chunky riffs. The Chubby trio obviously don't take themselves too seriously and know how to have a fun time, and I feel that transcended to the packed out crowd today. Loud spaced out bluesy Metal jams! 8/10.
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If you live in the Northwest and you support your local Metal scene then I'm sure you've heard of Boss Keloid by now. The Psychedelic Tech Sludge quartet have just played their biggest show to date in front of a packed out Bloodstock crowd, followed by a mini-tour which included a sold out London date. The local Metalheads piled into the outdoor stage area to welcome their local heroes home to their spiritual mecca which is The Alma Inn. When they performed "Lung Mountain", the opening track from their latest album "Herb Your Enthusiasm", it was earth shattering, and there were so many fans in the crowd singing along to the lyrics. The atmosphere was absolutely electric and it was one of those chills down your spine moments to see a band you've followed for ages look so triumphant on stage. As per usual, Alex Hurst's caveman-like vocals were a force to be reckoned with, bellowing across the Bolton skies. Unfortunately midway into their set, the crowd antics got a little out of control as crowdsurfing Pist frontman Dave came crashing into guitarist Paul Swarbrick, causing the sound to cut out completely! This caused a 5 minute delay as sound engineer Marios rushed to help get everything fixed. This was the only real bum note of the entire festival, and I felt bad for bassist Adam Swarbrick who had not only worked tirelessly to organise Riff Fest today, but had his own show interrupted. Fortunately, the show was soon back on the road, although some of the effects pedals wouldn't function still. Boss Keloid soldiered on through slightly fragile versions of their show stopping songs "Cone" and "Axis of Green". Through the band's sheer professionalism and dedication to their art, they still made them sound fantastic and salvaged their set, winning back the Riff Fest crowd! 8/10.
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The titans of UK Doom Metal Arnuld Scouzenegger... I mean CONAN..! were the very special headliners of Riff Fest 2016 and it was incredible to see such legends play a free show. If there is one thing I've learnt about Conan it's that they render wearing earplugs useless by playing so loud, the whole of Bolton could probably hear them! The trio were in spectacular form this evening and the Alma outdoor stage sound system was able to harness their powerful sound. Conan opened with a newer thrashier number from their latest album "Revengeance". The title track of this album was also a huge highlight, with a Hardcore/Thrash leaning kick drum heavy beat that smacked everyone in the face with its sheer force as the rain poured down so hard it threatened to tear off the canopy above! Drummer Rich Lewis battered his kit so hard it felt like a herd of Elephants were charging towards the crowd! After a few faster numbers, Conan brought the tempo down and showed us why they are the kings of epic Doom Metal, with colossal slabs of guitar from Jon Davis and Chris Fielding, punctuated by their flattening tag team vocals sounding like primal caveman marching out to battle! Conan provided a truly historic and memorable performance tonight and were an incredible way to close Riff Fest's main stage. Their performance was hypnotic, punishing and will go down as one of the very best in Riff Fest history! 9/10.
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INDOOR STAGE
Opening the indoor stage was Atragon from Edinburgh. This quartet had a raw, Punky approach and attitude in their sound, but predominantly played traditional inspired Doom Metal with an ear for melodic lead guitar parts and solos, so it was an interesting mix. The tiny indoor stage at The Alma Inn failed to keep them contained as their high energy spilled them into the crowd, with the vocalist getting a piggy back on some random dude in the crowd! "I've never sang upside down before" joked vocalist Jan Gardner. After a spectacular showcase of their original material, Atragon ended their set with an obligatory cover of GG Allin's "Bite It You Scum!" This was a totally raging finale, but I'm a bit disappointed that the vocalist didn't get naked, shit all over himself, throw chairs at the audience and then get carted off to jail... Oh well can't win 'em all! 8/10.
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One of my favourite surprises of Riff Fest 2016 was Garganjua. In a similar way to headliners Conan, Garganjua deliver slow and truly epic Doom Metal riffs. However the similarities ended there as Garganjua explored gorgeous harmonised guitar melodies and lengthy songs that built into powerful crescendos. Their incredible riffs were made from really interesting chord progressions that emitted a sorrowful tone. The band truly took the Riff Fest crowd on a journey with their diverse sonic pallet. Go check out their powerful new album "A Voyage In Solitude"! 9/10.
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After swapping places with Garganjua before them, the Conjurer quartet arrived with the intent of demolishing the indoor stage with their sheer brutality. The latest signings to one of the UK's finest extreme labels Holy Roar Records were an absolute force to be reckoned with. Conjurer's sound isn't so straight forward to describe, but it seems to blur the lines between Sludge, Black and Death Metal seamlessly. Like any great Holy Roar artist, they like to play with off kilter rhythms and always leave the audience guessing where they will go next. The quartet launched into a loud and noisy assault of dissonant riffs and an avalanche of angular Sludge. Guitarists Dan Nightingale and Brady Deeprose amped up the extremity with their vocal trade offs, one with a low pitched growl, the other with a high pitched shriek. Their brilliant use of contrasting vocal styles bounced off each other really well and reminded me a bit of Raging Speedhorn or Napalm Death who use a similar approach. Conjurer show a diverse range of influences with "Frail" channeling a slower Post Metal sound similar to Neurosis, whilst their finale showed a Hardcore influence with brutal screaming where bassist Andy Price joined in on the mayhem. Conjurer have proven themselves to be one of the most exciting and vital acts to tour the UK this year and the quartet throw absolutely everything into their performances. 10/10.
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Strain are local legends at The Alma and go way back. Now they have returned with a new drummer and the band looked at home on the indoor stage. Strain have a real anger towards them as their lead vocalist struck an impression on me immediately with his raw, gravelly bark. He poured passion and got right up into the crowd's faces, screaming like a madman! Strain played a belting set of Stoner Metal with plenty of groove in the riffs and lots of powerful chugging. Their energy never let up and they even threw in a couple of Thrashy moments. Truly pummeling Metal! You would never have guessed they're the oldest band here today! 8/10.
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This Sludge Metal quintet barely need an introduction in the North West scene as they seem to have built up an unstoppable momentum. The Hermits have just completed a mini-tour across the UK and performed at an all time high. In fact Boss Keloid guitarist Paul Swarbrick even stopped by to play a couple of songs with the band... Although I swore I could have seen him in the crowd too... Weird! Barbarian Hermit were one of the true highlights of last year's Riff Fest and they managed to come back with a vengeance. In fact this is was probably the most energetic and sweatiest I've ever seen them play. I think there is something about the tiny indoor Alma stage that makes bands who play there want to get out and move around to escape the claustrophobia! This band know how to deliver a powerful, bass rumbling, heavy sound that will make you deliver a load in your underwear! Standouts include their anthems "Burn the Fire" and "Widowmaker" that saw the crowd go wild and sing along. Their newer songs "No Sleep Til Buckfast" and "Del Toro" are sounding perfected too! The only shame was that they only managed to squeeze in one riff from their loving ballad to this very pub, "Alma". 9/10.
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Perhaps it was because it was the middle of the festival and I was starting to feel exhausted, but I found Enos to be an incredibly overwhelming force. The Brighton based Metalheads kicked into a Thrashy, Stoner number with massive weighty riffs behind them. They had a rawness to them and a vocal style reminiscent of Iggy Pop & The Stooges. As their set went on, Enos explored more psychedelic territory, infusing Kyuss-esque wah and fuzz into their epic compositions. A ten minute spaced out Doom jam nearly had me zoned out in a trance, but they followed it up with a much more immediate riff rocker reminiscent of Queens of the Stone Age. Perhaps Enos were sandwiched into the wrong part of the festival line-up as I honestly found it hard to concentrate at times, perhaps through my own fatigue, but they made an overwhelming impression nonetheless! 8/10.
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One of my favourite bands of the North West Metal scene played a blinding set to close the very first Riff Fest. They made a very welcome return today and brought a brand new line-up and a whole new direction in sound to showcase. Iron Witch are still rooted in Sludge Metal, but with a new guitarist and vocalist in the line-up, they have decided to abandon their older material in favour of their new direction from their full length debut album "A Harrowed Dawn" which has only just been released. Whilst I'm a little gutted I'll never get to hear the old Iron Witch live again, I have to say I'm very impressed with the new sound. The quintet have forged a much darker, even more miserable and agonising sound. Their new riffs have much sharper edges. Vocalist Dave Mould barked at the Riff Fest crowd like he was in agony. Both his voice and the sound of the guitars sounded like they were slowly bleeding to death. The highlight for me was their lengthy set (and album) closer "Solitude and Decay", which builds from gloomy, clean guitar into an onslaught of violent, pounding riffs. Though there were a couple of sloppy transitions, the overall force of their set was terrifying and intense! 8/10.
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I'm surprised that the Alma Inn was still standing after the mammoth, noisy onslaught of Conan out in the garden, but there was still room for more chaos as Riff Fest saved one of the best bands til last! OHHMS are a psyched out Sludge quintet from Kent and like Conjurer before them are signed to the almighty Holy Roar Records (you can tell I'm a big fan right?!) OHHMS delivered a bit of a free for all of crazy and noisy Metal as a real bang to take Riff Fest 2016 out with. OHHMS play very lengthy songs that have a loose jamming feel to them. This also gives them a real unpredictability that feels like their wheels could fall off, or their amps could explode at any second! Even when the band might jam out one riff repetitively, they manage to grip their audience with a true intensity and ferocity. The band play all over the stage and outside of it, with their bassist climbing up the stairs in their apocalyptic finale. OHHMS exhibit a destructive power and free form approach to their music, making them one of the most lively and energetic bands in the UK Metal scene. Their closing set left me with ears splitting, and all of the sense knocked out of my brain! 9/10.
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Riff Fest '16 was a roaring success and I think team indoor stage might have just won this year! A huge thanks to all the Riff Fest and Alma Inn crew, as well as all the bands of course! The whole event was incredibly well organised, with a fantastic sound and a killer line-up!
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August 27th 2016 @ The Alma Inn, Bolton.
Thank You to these Snappers:
Lindsey Appleton (L.A. Photography)
Bruce Cowie
Astrid Hurst
Gareth "Benson Thrapple" Manning
Rich Price (Rich Price Photography)
Adam Robertshaw
Adam Swarbrick
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Photo Credit: Adam Swarbrick
Riff Fest '16 was a roaring success and I think team indoor stage might have just won this year! A huge thanks to all the Riff Fest and Alma Inn crew, as well as all the bands of course! The whole event was incredibly well organised, with a fantastic sound and a killer line-up!
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August 27th 2016 @ The Alma Inn, Bolton.
Thank You to these Snappers:
Lindsey Appleton (L.A. Photography)
Bruce Cowie
Astrid Hurst
Gareth "Benson Thrapple" Manning
Rich Price (Rich Price Photography)
Adam Robertshaw
Adam Swarbrick
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Monday, 15 August 2016
#350: GRAF ORLOCK + GHOSTLIMB & BIG MACHINE - LIVE IN MANCHESTER
Tonight's bargain show saw US Grindcore band Graf Orlock play at the hard to find Aatma bar in Manchester's Northern Quarter. Joining them were Manchester's own noise rockers Big Machine and US Hardcore act Ghostlimb. The show saw a good turnout with even a couple of distros selling hard to find vinyl releases!
Manchester based Big Machine make some big sounds despite only being a duo. They stepped in at the last minute after Mums were forced to pull out after losing their pedals. Best of luck to Mums and I hope the pedals are found! Big Machine played a set of high energy Noise Rock with just a drummer and a guitarist, with both adding vocals to the mix. Their guitarist Sacha Zucconi churned out some gnarly screams, whilst drummer Nick Colman would offer a mix of screams and clean vocals. Their short songs were made of jagged twists and turns, leaning towards a Math Rock influence. Nick Colman really stole the show with the most impressive and versatile performance this evening from behind the kit. He was just awe inspiring to watch, with an acrobatic way of playing every part of his kit. The only real downside of their performance were that the guitars and vocals weren't quite mixed loud enough compared to the drums, taking away some of the aggression. Some of the clean parts of theirs songs fell a little flat. Big Machine's sound reminded me of Leeds based Clenstch (who I reviewed earlier in the year), as well as Shellac and The Hyena Kill. 8/10.
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Travelling all the way from California to play a bargain show were Ghostlimb, a Melodic Hardcore trio featuring the guitarist of headliners Graf Orlock. Ghostlimb channeled a lovely balance between more Extreme Screamo/Hardcore combined with a pinch of old school American Punk Rock. The trio were full of good riffs, though the gravelly screaming vocals could have benefited from a more varied tone. Ghostlimb weren't quite as crazy as the two bands they were sandwiched between, but were still enjoyable enough and could give their songs oomph when required! 7/10.
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Our headliners Graf Orlock hail from Anaheim, California. Graf Orlock's trademark is to combine lightning fast, spazzed out Grindcore, punctuated by samples from cult films to introduce each track. The quartet successfully implemented the film samples in a live environment, through the use of a sampler. The way the band would kick in to mad bursts of grind all in unison at the perfect moment was a sheer joy to watch and got the crowd's energy raised. Since there were some sound issues across the whole night, the backing vocals from the guitarist were much louder than their frontman, but he still managed to command the stage, often spilling out into the mosh pit and crowdsurfing. Their frontman had a really raw, throat shredding scream. Graf Orlock's songs were frequently noisy and unpredictable, injecting a sharp sense of humour as they bantered with the crowd. Their performance was suitably brief but very intense, with lots of energy. Graf Orlock come across as the kind of act that Grindcore purists might scoff at, but their live show cannot be denied, as they are simply a lot of fun and know how to have a great time! 8/10.
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August 9th 2016 @ Aatma, Manchester.
Labels:
2016,
aatma,
august,
big machine,
ghostlimb,
graf orlock,
grindcore,
hardcore,
live music,
metal,
Noise Rock,
northern quarter,
punk
Wednesday, 22 June 2016
#341: ACxDC: POWERVIOLENCE! GRIND! HARDCORE! ALLDAYER - LIVE IN MANCHESTER
In the same week that AC/DC performed with Axl Rose at Manchester City's Etihad Stadium, US Hardcore legends ACxDC played Rebellion Manchester with a whopping 9 bands in support from all over the UK. With the price of only £7 for 10 bands, I feel like I underpaid to see so many fine quality bands. In contrast it would probably have cost 10 times this amount to see the real AC/DC!
Many people in the Extreme Metal scene and perhaps beyond will certainly have heard of the Temples Festival incident. Temples Festival was due to be running at the exact same time in Bristol, but was abruptly cancelled less than a week before it even began! Not only did this leave gig goers potentially with transport tickets and booked hotels that they were unable to get refunded at such short notice, but a lot of bands travelling from all over the world were left without a major platform to showcase their music. I'm not going to go too much into how it all happened, but thankfully promoters all across Britain worked their socks off night and day to make sure the majority of the touring bands had new gigs to play. Musicians in the underground music scene do not earn a comfortable living, and so the loss of playing at a packed out Festival could have been catastrophic. It was such a sight to see the Metal community pull together, with promoters and bands working tirelessly together to make sure all these bands had a stage to play on. And I hear that most of the travelling bands indeed got sorted in the end, even if it was a complete last minute job.
Winds of Genocide and Geist were both added to this bill at the zero hour. The show was originally billed to take place at the nearby Retro Bar, but ended up taking place at Rebellion after two different promoters pulled together to make the best of a bad situation. But anyway that's enough backstory, here's how the bands got on...
Don't be too alarmed by their band name, as apparently it just means the band like to drink loads of Pivo Beer... Okay some alarm may be required! Pivorapist opened a fast and furious all-dayer in style. Self described as a Porno/Goregrind band, this automatically makes them a love it or hate it kind of act. Their music is obviously very tongue in cheek and those who have a very sick sense of humour will probably already own their entire discography!
Rebellion saw a strong crowd pouring in from the very start as Pivorapist shred through a set of one dimensional Death-Grind with a mixture of pig grunting vocals and growls that sounded like the lead vocalist was trying to regurgitate his breakfast! Their songs were all kind of a blur with very little variety, but the performance itself had a lot of passion and some mild intensity. In particular their drummer (who also plays guitar in Gorehead) looked exhausted by the end after a constant display of blastbeats nearly wore him down. Gorehead's lead vocalist and guitarist joined them on stage for a song about "Japanese women shitting on each other" for one of the standouts of their set. Despite any real memorable riffs or moments, Pivorapist still gave it a lot of welly, had people laughing and were just plain sick, twisted, demented and silly fun! 7/10.
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To me, Brainshit is what happens when I have to get up a 7am to go to work on a Monday morning and I'm so tired I can't figure out which direction the alarm clock is beeping from! But for this Manchester duo, Brainshit is a super aggressive Powerviolence inspired band with just a drummer and a guitarist. I've heard a lot about this duo tearing a new sinkhole into Manchester, so I was very glad to see them at last! Brainshit's music is very playful but also very tense. They can be play a sweet, slow as fuck Sludge riff one moment, and then out of nowhere break into lightning fast Grindcore riffs, even if it's just for 10 seconds. Brainshit don't do formulaic music and were consistently unpredictable on stage. They have some very short songs, which gave their set a frantic stop/start energy that would throw the moshers off. I could only stand in true awe as I watched a relentlessly blistering set of supremely noisy and brash riffs. Drummer Jon especially looked like he had a full workout on the kit, also adding vocals. This duo are very tight and both share a fantastic vision of their music. If only Slap-A-Ham Records still existed! By the end of their set, Jon had beaten the shit out of his cymbals so hard they ended up shattering! The All-Dayer just went next level! 9/10.
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Manchester locals Gorehead play old school brutal Death Metal the right way! Their performance was chock full of technically proficient riffs and a dense, heavy sound with plenty of aggression. I've seen Gorehead a few times now and they seem to get better and better each time. Whilst their take on Death Metal isn't exactly full of originality (this also applies to 95% of modern Death Metal bands), they do nostalgia exceptionally well. You'll hear influences of Death and Obituary, with elements of early Sepultura and Entombed thrown in too. The last time I saw Gorehead, their guitarist and vocalist Luch was bound to sitting down on stage after suffering an injury. Tonight he made a great recovery and I have to say that Gorehead have comeback extremely well because this was the best I've heard them yet! 9/10.
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Wolfbastard are a Manchester based Blackened Crust Punk band who have been gathering a lot of momentum in the local scene. They share band members with one of Manchester's favourite Black Metal bands Burial. Wolfbastard's songs are a little more immediate than their blackened brothers, and pack a real punch. They have a knack of taking Punky Motorhead-esque riffs and dragging them through a muddy forest and then smashing them on the concrete, so that they come out agonised and filthy. Wolfbastard ripped through a high energy set of Satanic hate fuelled carnage, and in particular their vocalist Joe expressed so much passion and enthusiasm for his craft. Because I'm a huge Black Metal fan, their more Blackened leaning songs stood out to me more. One song had a vintage Darkthrone vibe, with a cold and eerie riff creeping through. They tried out an especially brutal new song which went down well, but who could deny the no nonsense horrors of their vile anthem "Sick In the Bath"!? 8/10.
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Rebellion Manchester is usually no stranger to Doom, Sludge and Stoner bands, but today it had shifted over to the Star & Garter down the road where Bongripper were headlining a show. A day of fast bands was a more than welcome change, but they did manage to squeeze one slower band into the mix. Dead Moon Lizard Kings hail from Middlesbrough, and whilst they definitely expressed a Psychedelic/Stoner Rock sound, I could also hear faint Hardcore influences in their sound too. Particularly their energetic and animated frontman Metal Dan who had a shrill bark to his vocals that made me think of bands like Helmet and Drive Like Jehu.
Unfortunately for Dead Moon Lizard Kings, it felt like the odds were stacked against them tonight. Whilst this gig started with a very strong crowd, at this point of the day some Metalheads did start leaving to get to the Bongripper show where local favourites Boss Keloid were kickstarting their evening. Maybe it was because they were sandwiched between lots of fast bands, but the band seemed to be sapped of energy, with riffs that plodded along. I noticed that there were sadly more people outside in the smoking area than there were watching the band, leading to a deflated energy in the room. Even more disappointing for Dead Moon Lizard Kings was that their frontman Metal Dan was clearly very unwell, and just 2 songs in he ended up puking up on stage. Though I have to give him props because he soldiered on painfully through the whole set and he was by far the most animated man on the stage. In particular the bassist and guitarist looked very static and fed up whilst playing, with very limp backing vocals adding no extra impact. They did finish on what I thought was by far their best track, a self titled anthem, but this track seemed to just go on and on and on... I ended up getting bored of it by the end!
This was my first time hearing Dead Moon Lizard Kings and maybe the whole touring and Temples fiasco had got to them, because their set lacked enthusiasm. At least I can say the vocalist gave it his all, when they could have easily just pulled out of the show. Perhaps they would have went down better at the Bongripper show to a more like-minded crowd? Who knows, but I think even the band knew themselves that this wasn't their day. 5/10.
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Boycott the Baptist are a Powerviolence/Grindcore duo consisting of a guitarist and drummer, with both members delivering aggressive dual attack vocals... If you think this sounds exactly how I described Brainshit earlier in the show, well it is! The two bands are remarkably similar, but I am just happy to hear some Powerviolence on the go, as it seems to be a largely ignored sound in the UK (though to be fair even at its peak, PV was a shortlived and deeply underground sound). If Brainshit and Boycott the Baptist were to have a race though, I think Boycott would win as they managed to squeeze even more songs into their set, with a couple lasting maybe a second or two long, recalling Napalm Death's infinite classic "You Suffer (But Why)".
Boycott the Baptist had an insanely loud and chunky guitar sound, making the lack of a bassist a moot point! After a bit of a lull from the previous band, Boycott managed to get all the smokers ploughing into the room and the place went mental! Boycott are very good at what they do, with an insane chemistry between these two nuns. "Ray Winstone Can Sit On My Face" was a 30 second blur of noisy grind, whilst a song about skating pulled off an old school Hardcore sound. 1 second wonders "What!?" and "The Happy Birthday Song", left the crowd in stitches. "Fuck Off Trump" appropriately sent the crowd into a violent moshing frenzy, whilst "Yoko Oh No" raged against conceptual art! But the standout for me was "Eels Up Inside You" which was not only hilarious to sing along to, but actually recalled the proper PV legends such as Crossed Out and Spazz! Boycott the Baptist played so ferociously that sound crew and audience members were frequently having to help pick up fallen mic stands and fix broken drum parts! The end result was a brutal, beautiful and hilarious blur of lightning fast aggression that seemed to be over way to soon. True Hardcore in all it's glory! 9/10.
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Hailing from the North East of England, Geist ripped through a set of belting Hardcore with more of an emphasis on melody than some of their peers today. Geist delivered a high energy set chock full of hard hitting bass, Sludgy toned Hardcore riffs and insane blasting drums. Their lead vocalist came into the pit to scream his head off. In particular a really fast brand new song captivated the crowd, whilst an older song off their EP combined Isis-esque Sludge riffs that gradually escalated back into Hardcore. Geist's sound very much reminded me of Converge, and since they are one of my all time favourite bands, that is a high compliment. Yet I would also like to hear something that is truly theirs! 8/10.
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From the moment I first heard the vocals of Kat Shevil I was completely knocked back! Kat's death growls are some of the most powerful, forceful, aggressive and straight up brutal I have ever heard! Of course the whole band produced a similar force of power too, playing fast Punky Death Metal with some Blackened elements cropping up too. Winds of Genocide are heavily influenced by the D-Beat sound (think Discharge, Amebix, Disfear etc.) but I think the band showed a lot more versatility in their sound tonight. In particular the bassist was playing fast, complex scales and alongside the crunchy, bowel churning guitar chaos, their sound was a constant force of lightning fast motion. Geist's vocalist Ian proved himself to be multi-talented as he stepped onto drums for this band. Winds of Genocide is an appropriate name because their music hits you like a hurricane. Vocalist Kat poured so much passion and was possessed on stage like an older Regan from The Exorcist. Highlights from their set included the super fast "Nuclear Winter", and the old school vibes of "In the Shadow of the Sign of Death". I'm amazed the Rebellion stage was still standing after this onslaught! 8/10.
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As more Metalheads started to pour in from the Bongripper show that had just finished, they were treated to one of the best band's of the day. After the slumberous riffs of Bongripper, Aberdeen's Boak must have been a jarring turn, as they were one of the fastest band's on the bill tonight. With a strong Grindcore/PV leaning, Boak tore through a relentless set full of very short, very fast and completely mental songs. The trio were just a blur of sheer noise and violent playing that never let up. The triple threat were completely in tune with each other, and the only times the velocity of their playing slowed down was to throw in some very brief Sludgy riffs, before erupting back into full on blasts and demented screams. This was a concise set of blistering Hardcore done the right way, making Boak the perfect way to lead into headliners ACxDC. 9/10.
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I'm going to put it straight to you... From the moment ACxDC hit the stage and started playing I was so lost in their performance that I forgot to even write down any notes. I believe one of the Rebellion bar staff did have to mop up the copious amounts of drool from my open jaw that flooded the floor! US Powerviolence revivalists ACxDC have a solid reputation built before them, and it's no wonder when they can turn up and play such blistering sets like they did tonight. There was barely any breaks between the songs or moments to catch your breathe as ACxDC pounded their way through what must have been about 50 lightning fast songs barely crossing the 30 second mark. Their musicianship was second to none, and full of so much genuine passion. So many insanely satisfying riffs, pounding drums that threatened to break the kit, and raw vocals that cut like a knife and tore down the walls. Their sound was particularly dense and suffocating, and yet there was something truly beautiful about their performance. After their set had finished crowdgoers demanded an encore. The guys also stuck around for most of the day, selling their own merch and taking time to chat to fans. Simply one of the greatest Hardcore acts around today and a very worthy way to end such a fantastic and exhausting day! Hardcore perfection from true legends! 10/10.
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June 5th 2016 @ Rebellion Manchester.
Labels:
2016,
acxdc,
all dayer,
black metal,
crust,
extreme,
grindcore,
hardcore,
june,
live music,
manchester,
metal,
powerviolence,
punk,
rebellion,
sludge
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