Saturday 22 October 2016

#355: PERTURBATOR + GOST & HORSKH - LIVE IN MANCHESTER

First up, big apologies to HORSKH as I ended up missing your set. Sadly I was hit by a whopping double whammy of football AND Justin Bieber traffic, who was performing at the Arena in town. It took me far longer than planned to arrive at Sound Control in Manchester. But go check out their music, very Industrial sounding Electronic duo!




Texan born GosT (aka Baalberith) is just gearing up for the release of his second full length album "Non Paradisi" on the Finnish home of Synthwave and Extreme music, Blood Music. As the lights went low and the theme song from The Omen started playing, the skullfaced GosT leapt onto the stage and began with some furious beats which sounded especially pounding over the Sound Control speakers.


GosT had a minimal setup with two laptops and an Ableton touchpad. Sometimes he would add live effects and samples to the music, but he was often rocking out, cheering on the crowd and darting about like a madman, moving to the energy of the music. GosT's sound is certainly similar to headliner Perturbator, but a little more stripped back, and a bit more fun and cheesy. Outside of highlights from his two albums was a hilarious remix of Bonnie Tyler's 80s cheese classic "I Need a Hero", combining the original song with one of his original thumping beats underneath that had the crowd going wild.


It was great to see so many Extreme Metal fans out tonight at this Electronic rave, and even the most solemn Black Metal fan couldn't help but dance and bang their heads to GosT's energetic set! 8/10.
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James 'Perturbator' Kent has become known as a hero in the Synthwave scene, recapturing the zeitgeist of Horror Synth that extends from the classic film scores of John Carpenter right upto the recent nostalgic sounds of Drive and Stranger Things. Though not a household name, Perturbator has been integral at establishing this Synth revival of recent times, with 4 majestic concept albums channeling the best parts of 80s Sci-Fi in music form.


Perturbator's setup tonight was much more serious, with two large synthesizers mounted on stands, an intense lightshow and lots of wires on stage! He opened with the pounding Industrial Techno of 'Neo Tokyo', and took us on a journey through much of his latest opus "The Uncanny Valley", with a few older cuts thrown in too. Compared to opener GosT, Perturbator's setlist was built on more complicated rhythmic beats, occasionally glitching and throwing the headbangers in the crowd off guard. Perturbator weaved in his Carpenter-esque synthesizer arpeggios, creating an icy and chilling atmosphere, recalling the greatest retro Horror and Sci-Fi film scores. Of course combining those retro feels with the most modern and pounding Electronic production is what makes him so endearing. He threw in a couple of slower numbers, but mostly it was a display of mammoth, pounding beats and thumping bass that had the crowd moving relentlessly. Perturbator appeals to the young and older crowd in equal measure, and there were just as many Emperor fans as their were Aphex fans in the crowd tonight! This fantastic Electronic show made for a perfect alternative to the hype and trend of the Warehouse Project down the road. Darker, colder, more chilling and sophisticated, tonight was a perfect warm up for Halloween! 9/10.


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October 20th 2016 @ Sound Control, Manchester. 

Monday 17 October 2016

#354: DEATH GRIPS - LIVE IN MANCHESTER


As I entered the sold out Manchester Academy gig room the place was already chock-a-block full of music fans of all creeds. Hip Hoppers, Metalheads, Indie kids, Ravers, Punks and Rockers all united for the most hyped up gig of the year. The giant room was a sea of bodies, and so dark it was hard to recognise anybody. An eerie, droning siren hummed away, creating a sense of nausea and dis-ease amongst the crowd. Slowly the discordant drone gradually escalated in volume. After a few mistaken round of applauses as roadies and sound engineers appeared on stage, eventually the lights went out completely and the trio of Zach Hill (on drums), Flatlander (synthesizers and sampler) and vocalist MC Ride emerged from the ether...

...What followed for the next 90 minutes was a sheer bliss of noisy and violent music. Death Grips blur the lines between Hip Hop, Hardcore, Electronic and Noise, explaining why such a wide array of music fans were in union tonight. The trio blistered through all of their best tunes without a single pause for breath or to talk to the crowd. MC Ride stood tall like a deranged killer in the fog, ranting and screaming maniacally into the microphone. Zach Hill was a force of destruction, battering his kit like it had insulted his mother! The man was a sheer ball of fiery energy throughout and was fascinating to watch, delivering a diverse performance from the Industrial battering ram of 'No Love' to the Black Metal-esque blastbeats on 'Giving Bad People Good Ideas'. Flatlander was perhaps the most focused of the three, combining samples, laptop and synthesizers to create dense layers of noise and waves of wild electronics, piercing eardrums in the process.

The mosh pit was extremely violent and painful tonight, and I've seen plenty of Extreme Metal bands that haven't even managed to conjure up this much chaos! I began the gig slap bang in the middle, and I ended up being swept right to the front and then all over the place. The room became a tornado where bodies would fly and people's belongings soon became lost. I don't think I've ever felt so exhausted at a show and I was soon gasping for air and water! I woke up today with a battered and aching body, with cuts and bruises on my legs and arms, but I'd do it all over again!

Death Grips were absolutely relentless and shredded through just about all the songs a die hard fan could wish for! 'Get Got' and 'Bitch Please' were absolutely thumping, 'Giving Bad People Good Ideas' and 'Come Up & Get Me' were extremely raging, 'I've Seen Footage' offered a rare breather where fans could dance their asses off, 'Guillotine' was a bizarre sing-along anthem, and the finale of '(I've Got) The Fever' certainly left everyone wanting more.

Public Enemy may have warned us not to believe the hype, but I'm sure almost everyone will attest that Death Grips' live show was sheer enjoyment and an experience that was almost too good to be true! 9/10.


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October 16th 2016 @ Manchester Academy.